Monday, September 12, 2011
Morgan Creek pacts for 'Thing' co-financing
Morgan Creek Prods. originates aboard to co-finance output of Universal's approaching reboot of ''The Factor.'' The agreement, introduced Monday morning, offers the pic will probably be co-distributed worldwide with the two companies. Universal will distribute ''The Thing'' in a few worldwide areas on Morgan Creek's account and retain distribution rights in many the planet while Morgan Creek will distribute through its network of partners inside the remainder. The companies did not specify which areas each would handle. Universal is delivering ''The Thing'' within the united states . States on March. 14. ''We are content to develop our relationship with Universal and anticipate joining on more pictures afterwards,'' mentioned Morgan Creek topper James G. Robinson. ''As a sizable fan of John Carpenter's 1982 film, I'm very excited that individuals are taking part using this companion piece.'' ''Morgan Creek is really a welcome partner in multiple abilities for quite some time, and that we are thrilled to have this opportunity to transport onto construct our companies together,'' mentioned Ron Finkelstein, Universal's vice chairman. Universal presently distributes Morgan Creek's productions within the united states . States, including ''Dream House,'' directed by Jim Sheridan and likely to be out Sept. 30. Morgan Creek may also be in preproduction about the Tupac Shakur biopic. The completely new version of ''The Factor,'' remains developed just like a prelude to Carpenter's film of the title which is occur Antarctica inside a remote outpost where scientists uncover a shape-shifting alien creature. Pic's directed by Matthijs van Heijningen and produced by Strike Entertainment's Marc Abraham and Eric Newman. Contact Dork McNary at dork.mcnary@variety.com
Sunday, September 11, 2011
Toronto TOLDJA!: CBS Films Shuts U.S. Deal On Fish Fishing Within The Yemen
UPDATE: The offer has closed, and CBS Films has acquired U.S. privileges to Fish Fishing within the Yemen. Sources near to the buyer say it’s the $4 million the retailers requested, while sources near to the seller say it’s $5 million. Summit got the offer to that particular level. What’s obvious is this can be a healthy deal. EARLIER EXCLUSIVE, 12:26 PM: CBS Films is within advanced discussions to catch U.S. distribution privileges to Fish Fishing within the Yemen, the Lasse Hallstrom-directed film that opened last evening in the Princess of Wales Theater.Fox Searchlight, Summit, Focus and Miramax happen to be circling, but CBS seems to become tying lower the home for any low-seven-figure deal. Modified by Simon Beaufoy in the Paul Torday novel, the film stars Ewan McGregor, Emily Blunt, Kristin Scott Thomas and AmrWaked, the second playing a wealthy sheik who pays a fisheries researcher to stock a stream with trout. The sheik thinks that fishing brings him closer toGod, an event he has shared together with his countrymen, regardless of the harmful proven fact that some local leaders oppose it there's a burgeoning love story between his British legal repetition (Blunt) and also the stuffy fisheries researcher (McGregor) who's located in a dull marriage. CBS Films professionals Wolfgang Hammer and Scott Shooman counseled me over that one, however the auction transported into today because a few of the major purchasers saw other acquisition game titles last evening and caught the film today. UTA is selling the film here, and Lionsgate Worldwide is selling it overseas.The film came a rousing response following the screening, however for marketers, the bottom line is weighing if the film can become popular with audiences. CBS Films, that is searching for game titles that may play in wide release, clearly thinks so. It's the second prestige title acquired by CBS Films, that will also distribute Gambit, the Joel and Ethan Coen-scripted comedy which was directed by Michael Hoffman and stars Colin Firth and Cameron Diaz. Paul Webster created Fish Fishing, and Guy Avshalom, Stephen Garrett and Zygi Kamasa are professional producers. Though Shame offered Friday, that deal resulted from momentum produced from Telluride and Venice showings since the picture doesn’t premiere until today. The Fish Fishing deal may be the initial one which was the effect of a premiere screening. This past year, the The new sony Pictures Worldwide Purchases Group deal for Insidious really unlocked the dealmaking. You will find gossips of bids in on Buddies With Kids, and genre game titles as if you’re Next. Therefore it seems things might release up a little.
Paul Cruz designs minimalist Mess, Tailor, Soldier, Spy posters
Mess, Tailor, Soldier, Spy has received four arty exclusive edition posters created within the recognition by Mister Paul Cruz.The price of £100 each may appear just a little steep, nevertheless the posters can be found in types of 50, are signed by Cruz themselves and many types of profits visit Maggie's Cancer Caring Centres.The prints will probably be on purchase at Paul Cruz shops from 13 September.The film of John le Carré's 1974 novel is helmed by Tomas Alfredson as well as the director apparently needed advice from Cruz to create his vision of '70s London.It opened up within the Venice Film Festival a couple of days ago as well as in the appear from this Smith's influence helps makes that authentic '70s mood and colour.Mess, Tailor, Soldier Spy opens inside the Uk on 16 September.
Saturday, September 10, 2011
Paltrow Loves 'Glee' Character but Skips Emmys
La (AP) Gwyneth Paltrow states she was "totally thrilled" being nominated with an Emmy on her behalf guest starring role on "Glee," but she'll not attend the ceremony a couple of days ago where the champion will probably be introduced.The 38-year-old actress states she just reunited along with her children london and may not return to La for Saturday's Creative Arts Emmy Honours, where TV guest roles are honored.Paltrow would, however, return to "Glee" to reprise the free-spirited substitute teacher Carol Holliday, if requested. She states she "loves doing that demonstrateInch and Carol is "probably most likely probably the most fun character I've ever arrived at play."Meanwhile, Paltrow remains busy marketing her latest film, "Contagion," where her role was not likely most likely probably the most fun character she's ever arrived at play. She's Patient No. one out of a killer pandemic.Copyright 2011 Connected Press. All rights reserved. These elements is probably not launched, broadcast, rewritten, or redistributed.
Wednesday, September 7, 2011
2011 Toronto: Shame Will Start Dealmaking Flurry, But Buyers Are Waiting To Be Blown Away
Last year’s Toronto Film Festival started slow for acquisitions, but finished with a flurry of modest distribution deals that served notice the specialty film business had finally pulled out of its nosedive. This year’s festival hasn’t started and already there are fireworks. Deadline broke news yesterday that Harvey Weinstein would start a VOD business, making the acquisitions market for fringe films more competitive; and last night, I heard that a bidding battle had already broken out for the Steve McQueen-directed Shame, which should be sold by the time it screens Sunday. Fox Searchlight is the favorite, Sony Pictures Classics is in the mix and I’ve heard that The Weinstein Company is hovering. Bidding began right after its Telluride screening, and the mid-six figures thrown around yesterday will probably go higher. That’s huge, considering the movie is an unabashed NC-17, McQueen has final cut, and the sex-obsessed protagonist is unlikable. Oh, yeah, and the sellers want it released this year for Oscar consideration to capitalize on Michael Fassbender and Carey Mulligan’s Oscar-caliber performances. Does this mean we’re in for a drunken buying frenzy? Hardly, buyers tell me. They are eager to see the films, but say there’s no title here that’s going to guarantee somebody will overpay. They are also mindful that many of last year’s deals turned out to be box office busts. More deals will be made than were struck at 2010 Toronto, but buyers lament the fact that the most coveted festival films, like The Ides of March, are spoken for. As for the finished films that are available, buyers are saying, “Show me.” “It’s not going to be Cannes, by any stretch of the imagination,” said one buyer. “We’re coming in with a healthy dose of skepticism, though we are all looking for that gem. If we find that truly exceptional film that has a chance for breakout success, we’ll all bid. On the surface, it doesn’t seem like there is anything here that fits that bill. Also, a lot of the new buyers who helped make Cannes and Sundance competitive have extended themselves. They have to honor the commitments they already made and if those pictures don’t work, some of them may be in trouble.” At Cannes, deal making went through the roof, mostly coming from titles like The Iron Lady that were sold on the basis of teaser footage that whipped buyers into a frenzy. The deal volume and numbers paid actually made that festival seem more brisk than last January’s Sundance, which ended with 38 deals and had more follow the festival’s close. Cannes was different; the product had enough stars and commercial premises to entice the wide release distributors like FilmDistrict, Open Road, The Weinstein Company, Summit and Lionsgate to lock down, sight-unseen, films they feel can play on 2000 screens or more. Some of that Cannes spirit could be conjured up if rumors are true that numerous high profile projects get shopped for domestic distribution at Toronto based on promo reels and scripts. Those possibilities include Broken City, the Allen Hughes-directed drama that has Mark Wahlberg and Russell Crowe set to star; Heroes of Nanjing, the Zhang Yimou-directed period epic that stars Christian Bale; the Stephen Frears-directed Lay the Favorite, which stars Bruce Willis, Rebecca Hall, Vince Vaughn and Catherine-Zeta Jones; and the Hark Tsui-directed Flying Swords of Dragon Gate 3D, which aside from a cool title, is Hark’s first 3D effort. But Toronto isn’t really the place for that and it’s possible the hard sell on those projects will wait till AFM. As for the menu of finished films playing the festival, buyers certainly have to be aware of how poorly last year’s crop of films fared. There was one breakout hit and that came right after the Midnight Madness premiere of the James Wan-directed Insidious. After an all night bargaining session, FilmDistrict’s Peter Schlessel walked away with the film under his arm after pledging a P&A commitment in the $5 million range. It was the first big deal that he and Bob Berney made after forming the label, and they hit the jackpot on their first pull of the slot wheel as the film grossed $54 million domestic and $92 million worldwide. Beyond that, other successes were modest. Sarah’s Key, which The Weinstein Company bought at the start of the festival, grossed $5.2 million, and $18.7 worldwide; Beginners, which Focus acquired for a P&A commitment in the $2 million range, grossed $5.8 million domestic, and $12 million worldwide. From there, it was a slippery slope; Rabbit Hole grossed $2.3 million; the $25 million budget Robert Redford-directed The Conspirator, acquired by Roadside Attractions with a seven-figure P&A commitment, grossed $11.5 million; the Will Ferrell film Everything Must Go, which Roadside Attractions bought for around $3 million, turned in a $2.7 million gross. Some deals were embarrassing: the Mickey Rourke-Megan Fox-starrer Passion Play grossed $3,699; Super, which sold to IFC after a raucous midnight screening, grossed $324,000; Peep World grossed $11,238; Meet Monica Velour grossed $33,000, and Every Day grossed $46,000. Some of those films had ancillary life that made those final numbers look better, but c’mon. This doesn’t mean buyers won’t spend. Most of the films haven’t been pre-screened, a smart gambit by sellers who want buyers in a theater where a film plays through the roof, and suddenly there is a bidding battle. But it’s a festival and not a market, and organizers certainly aren’t making it easy on the buying crowd. “Saturday is going to be murder for all of us,” said one buyer. “There is a 6:15 start time for Burning Man, a 7 PM start time for Salmon Fishing in the Yemen, 8 PM start for The Oranges, 9:30 for Take This Waltz, and then a 10 PM start for Rampart. It’s going to be difficult for buying teams to see more than two of those, even if we split up. And these are the acquisition titles that seem most promising. Will sales agents be pressured to hold private screenings, and will some titles sell before key decision makers get a chance to see them? It’s going to be an interesting evening.” Here are the acquisition titles considered most promising to buyers I spoke with: * Friends With Kids: the Jennifer Wesfeldt-directed film has on paper the most commercial premise (close-knit friends whose relationships change when they all have children) and it’s the first major title to screen, which could set a tone for acquisitions of other titles. It also has an ensemble cast that includes Bridesmaids‘ Jon Hamm, Kristen Wiig and Maya Rudolph, as well as Adam Scott and Megan Fox. Cinetic Media and Red Granite are selling, and the first screening is Friday night, 6 PM at the Ryerson. * The Oranges: the Julian Farino-directed comedy stars Hugh Laurie, Leighten Meester, Catherine Keener, Oliver Platt, Allison Janney and Adam Brody. It’s about two families who live across the street and whose friendship is tested when the prodigal daughter of one clan falls not for the prodigal son of the other, but rather for her father’s best friend. Skeptics note the film was finished some time ago but buyers said they liked the premise and cast. CAA and Film Nation are selling it, and the first screening is Saturday, 8 PM at the Wintergarden. *360: the relationship drama has an undeniable pedigree, directed by Fernando Meirelles and written by Peter Morgan. It also has a killer cast: Anthony Hopkins, Jude Law, Rachel Weisz, Ben Foster. A modernized version of Arthur Schnitzler’s classic La Ronde, film examines what happens when people from varied social classes have sexual encounters in and outside of those classes. Is it too rare-ified to be commercial? UTA and Wild Bunch rep the film, with the first screening 9 PM at the Elgin. * Salmon Fishing In The Yemen: The Lasse Hallstrom-directed drama stars Ewan McGregor, Emily Blunt and Kristin Scott Thomas. A fisheries scientist is hired by an Arab sheik to introduce British salmon to the wadis of the Yemen. An impossible task becomes a life changing endeavor. UTA and Lionsgate International are selling and the first screening is Saturday, 7 PM at Princess of Wales. *Rampart: the film has a potentially commercial theme, a director on the rise in Oren Moverman, and a solid cast that includes Woody Harrelson, Sigourney Weaver, Robin Wright, Ben Foster and Ice Cube. Set in 1990s LA, the drama about an LAPD cop whose past has put him in the center of a corruption scandal. WME and Sierra Affinity are selling, and the first screening is Saturday, 10 PM At Princess of Wales. *Take This Waltz: buyers are high on it because they see potential in its director, Sarah Polley. Michelle Williams, Seth Rogen and Sarah Silverman star in a story of a married woman trying to decide between her husband and a charming young man she has just met. TF1 is selling and the first screening is Saturday, September 10 at 9:30 PM at Roy Thomson Hall. *Burning Man: the Jonathan Teplitzky-directed drama stars Matthew Goode in the story of an incorrigible father and his son’s journey back to happiness. CAA and Filmbox are selling the film. The first screening is Saturday 6:15 PM at Bell Lightbox 1. *Dark Horse: Todd Solondz-directed drama that stars Justin Bartha, Selma Blair, Mia Farrow and Chris Walken. Two over 30 people, who won’t grow up, fall in love. Goldcrest is selling and the first screening (for press) is Saturday 3 PM at Scotiabank. *The Deep Blue Sea: The Terence Davies-directed drama stars Rachel Weisz as a woman leading a privileged life in 1950s London as the wife of a high court judge. To the shock of all, she dumps him for a young former RAF pilot. Protagonist is selling, and the first screening is Sunday, 9:15 PM at Bell Lightbox 1. *Peace, Love, and Misunderstanding: The Bruce Beresford-directed film stars Jane Fonda, Catherine Keener, Sundance “It” girl Elizabeth Olsen, Chace Crawford and Jeffrey Dean Morgan in a comedy about an uptight Gotham lawyer who brings her teenagers to her hippie mom’s farmhouse for a vacation. CAA and Voltage are selling and the first screening is Tuesday, 6:30 PM at Roy Thomson Hall. *Ten Year: the Jamie Linden-directed comedy revolves around a group of friends who get together for a high school reunion. The cast is attractive: Channing Tatum, Rosario Dawson, Justin Long, Kate Mara, Anthony Mackie and Chris Pratt. Paradigm and Voltage are selling, and the first screening is Monday, 9 PM at the Ryerson. *Violet & Daisy: the directorial debut of Oscar-winning Precious scribe Geoffrey Fletcher, the film stars Saorise Ronan, Alexis Bledel, James Gandolini, Marianne Jean-Baptiste and Danny Trejo. It’s a brutal fable about a pair of teen assassins who take a straightforward assignment and find the target isn’t who they expected. CAA is selling and the first screening is Thursday, 6 PM at the Elgin. *The Lady: director Luc Besson is usually money in an action setting, but here he focuses on Aung San Suu Kyi, a leader in the pro-democracy movement in Burma who is forced into house arrest for 15 years. Michelle Yeoh plays her. Europacorp is selling and the first screening for press is Monday, 8:30 AM at Scotiabank 4. *Lovely Molly: perhaps the best opportunity to discover gems is in the Midnight Madness section, and Lovely Molly bears watching if only because the director Eduardo Sanchez, co-helmed The Blair Witch Project. It’s about a newlywed whose return to her long abandoned childhood unlocks horrific childhood memories and stars a descent into evil. The film first screens for press on Sunday, 9:30 PM at Bell Lightbox 4. If I’ve left anybody’s film out, Show Me and I’ll update throughout the festival. Watch X-Men: First Class Online For Free
Tuesday, September 6, 2011
Guy Ritchie Is A Dad Again
LONDON, ENGLAND, U.K. -- Its another boy for director Guy Ritchie! Madonnas ex-husband, 42, and girlfriend Jacqui Ainsley welcomed a baby boy in London on Monday, according to multiple reports out of Britain. The Mirror reported that Jacqui, 29, delivered on Monday at 11 AM via emergency C-section. The Sherlock Holmes director reportedly called ex Madonna to share the good news and the pop star-turned-director reportedly sent the new mom and dad a bouquet of flowers. The baby came a few days earlier than planned but the actual birth went well and both mum and tot are doing great, a source told the Mirror. Rocco, Lourdes and adopted youngsters, David and Mercy, are all being introduced to the new arrival within the next couple of weeks both Guy and Madonna are determined to be grown-up about it and remain on friendly terms. According to The Sun, the couple is over the moon about their new arrival, but have yet to decide on a name. Guy couldnt be prouder. He and Jacqui have spent months getting ready and cant wait to take the baby home, a source told The Sun. Guy, who split with Madonna in 2008, had son Rocco, 11, with the pop star. Copyright 2011 by NBC Universal, Inc. All rights reserved.This material may not be published, broadcast, rewritten or redistributed.
Hipster hot spots
Hotel Ca' PisaniHotel Gritti PalaceB BarAURORA BEACH CLUBSummer officially starts for the locals of Venice once the Aurora Beach Club packs up its San Marco locale for the sandy shores of Lido. Here, tropical-inspired cocktails, seafood specialities, king-sized teak daybeds, bare feet and dance music are de rigueur.Lungomare D'Annunzio 2Lido di VeneziaPhone: +39 041 5268013BELLAVISTA TERRACEThe rooftop venue, part of the Club Del Doge Restaurant at the Hotel Gritti Palace, is all about the location -- high above the Grand Canal -- and its world-renowned wine list. The experience here is one of exclusivity, elegance and fine wine.San Marco 2467Phone: +39 041 794611B BAREnjoy classic cocktails and celebrity watching with a Grand Canal view at B Bar, located inside Bauers Hotel Venezia. A popular haunt of Daniel Craig, Benecio del Toro, Al Pacino and Sting.Bauers Hotel VeneziaSan Marco 1459Phone: +39 041 5207022ENOTECA AL VOLTOThe Enoteca al Volto, a cozy little wine bar near the Rialto Bridge, is a diamond in the touristy-rough. The dark rooms with vintage vino labels plastered on the ceiling provide the perfect backdrop for the classic Venetian fare.Calle Cavalli, San Marco 4081Phone: +39 041 52 28 945HARRY'S BARBellinis in the late afternoon at Harry's Bar have never gone off trend. Opened by the Cipriani family in 1931, this charming old-world bar has been a literary watering hole since, playing host to Proust, Hemingway and Capote.Calle Vallaresso 1323Phone: +39 41 528 5777HILTON MOLINO STUCKYA trendy atmosphere has its place, especially during the film festival, and the Skyline Rooftop Bar at the Hilton is just right. Enjoy views of Venice, drinks, dancing and an atmosphere that is beloved by Venetians and visitors alike.Giudecca 810Phone: +39 041-2723311HOTEL CA' PISANISubmerge in the Venetian culture at the artist enclave Hotel Ca' Pisani. Share stories and a Prosecco or two with local artists and designers, then head out on foot to explore the artistic community.DorsoduroPhone: +39 041 2401411PG'S CLUB RESTAURANTRelax and drink at the PG's Club Restaurant located within the Palazzina Grassi -- one of Johnny Depp's regular stops during the filming of "The Tourist." This modern edifice, with its endless wine list and tailor-made chef experience, is the latest local hot spot.Palazzina GrassiSan Marco 3247Phone: +39 041 5284644Venice Film Festival: Fashion & CinemaFashion flirts with film | I fall to pieces | Hipster hot spots Contact the Variety newsroom at news@variety.com Watch The Hangover 2 Megavideo
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